KEEPER OF THE FLAME
In a career defined by iconic moments and larger-than-life personalities, photographer Timothy White has always had a way of capturing the human spirit in unexpected places. But one of his most profound stories doesn’t involve a celebrity or a red carpet—it begins with a quiet man whose entire life was dedicated to keeping a single flame alive.
Set in Manhattan in 1990, Keeper of the Flame is a story of patriotism, purpose, and the extraordinary power of one image. We sat down with Timothy to revisit this remarkable shoot—and the man behind the flag.
ART SOLUTIONS: Timothy, one of the more unforgettable stories from your archive is Keeper of the Flame, photographed in Manhattan in 1990. What’s the story behind it?
TIMOTHY WHITE: A magazine had called to see if I’d be interested in photographing a man whose sole job was to make sure the flame atop the Statue of Liberty stayed lit. That was it—that was his life’s work. He was a Vietnam veteran who came back from service and took on this role with real reverence. He treated it like a sacred duty. There was something deeply moving about the way he spoke about the flame, like Lady Liberty was family.
ART SOLUTIONS: It’s not a typical portrait session. How did you plan the shoot?
TW: My first thought was simple: if we’re telling this story, we need to shoot the flame—and to do that, we’d need a helicopter. I called him and pitched the idea. He hesitated, said there’s no way his bosses would allow it. Then he paused, and said, “I’ll stay overnight on the island. You come at sunrise. I’ll be standing on top of the flame.” I wasn’t sure it would happen, but I loved the conviction. I booked the helicopter.
ART SOLUTIONS: What happened that morning?
TW: We took off from Teterboro in the middle of the night, removed the helicopter door for the shoot, and flew toward Liberty Island. As the sun started to rise, the pilot suddenly yelled, “Holy shit!” I looked out—and there he was, standing on top of the statue, waving an American flag. It was surreal. We circled him as I leaned out of the helicopter. My assistants held my belt to keep me stable while I shot.
ART SOLUTIONS: When did you finally meet him face to face?
TW: After the aerial shoot, I took a boat over and met him in person. He led me up the arm of the statue—narrow ladders, metal creaking, all of it hanging over the harbor. That’s how we captured the second part of the story. He was calm, kind, completely sincere.
ART SOLUTIONS: What impact did the story have?
TW: It struck a chord. People connected to him and what he represented. It wasn’t just about a job—it was about devotion to something bigger than himself. The photos turned him into a symbol of responsibility and patriotism. From that moment on, he was known simply as the Keeper of the Flame.
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